Work

Building systems that make production work possible: media ingest automation, procedural geometry, classification pipelines, benchmark tooling. The substrate changes (film sets, generative art platforms, 3D mesh analysis) but the method doesn’t: decompose the problem, type the I/O, test the contracts, ship the tool.

Core team from inception through seed ($5M raise, $50M+ distributed to artists). Shaped the product, platform infrastructure, and public identity — design systems, UI architecture, protocol-level UX, internal tooling. Directed exhibitions at Art Basel, Paris Photo, and Bonhams. Raised $300K+ for charitable causes through curated auctions.

Brand films, event production, campaign strategy. Translating complex products into something an audience can feel. Small teams, fixed deadlines, institutions and cities.

Five years at BLIND Ltd across 50+ productions. Built a live video playback network deployed on set for Star Wars. Generated cockpit and briefing-room map topology for Top Gun: Maverick. Developed compositing solutions for colour-managed screen replacements on Fate: The Winx Saga. Pipeline automation for media ingest, conform, and delivery studio-wide. Work that had to function on set, under pressure, on the day.

Design infrastructure, agentic systems for creative production, and geometric reasoning for 3D mesh analysis. Currently focused on the structural layer beneath AI-assisted design: governance tooling, taste encoding, and the gap between generated surfaces and production-grade systems. Open-source tooling where possible.